main film
Between 1 and 3 minutes, for the website, presentations and negotiations.
Usable for years if it is not built on a current offer. We shoot it so that parts can be refreshed later with a new team member or location.
The company as it looks from the inside: your own people, your own locations, real work. Main film and versions from a single shoot.
One film, six uses
A brand film shows who you are, and it can be used for years: in the hero section of your website, in recruiting, in negotiations, at events, in investor presentations. It does not sell an offer, it builds trust: the viewer can picture what it is like to work with you.
That is why a good brand film shows your own staff, your own locations and real work. Sets and stock footage cannot replace that, the viewer senses the difference.
From interview to script
The brand film does not start from our idea, it starts from yours. We interview the manager and a few team members: what the company does, what makes it different, what you are proud of. From this we write the script and the scene list, which you approve.
The script already includes the versions: which scene becomes the 30-second cut-down and which ones become the vertical excerpts. That way the shoot works for every use.
The versions are already in the script, so everything is produced from a single shooting day.
Between 1 and 3 minutes, for the website, presentations and negotiations.
Usable for years if it is not built on a current offer. We shoot it so that parts can be refreshed later with a new team member or location.
A 30-second version for advertising, made from the strongest shots of the main film.
Cut with its own rhythm, not just the trimmed opening of the main film.
Three vertical 9:16 excerpts for social media, with subtitles.
One thought or one person from the film, something that stops the viewer even while scrolling.
Photos are also taken on the shooting day for the website and the press, in the same light.
That way the film and the photos appear in one style everywhere.
These versions are produced from a single shoot. The exact number is set in the brief.
| Version | Length, ratio | Where it runs |
|---|---|---|
| Main film | 1 to 3 minutes, 16:9 | website, presentations, events |
| Cut-down | 30 sec, 16:9 and 9:16 | advertising, YouTube, LinkedIn |
| Vertical excerpts | 3 × 15 to 30 sec, 9:16 | Reels, TikTok, Shorts |
| Stills | photos from the shoot | website, press, LinkedIn |
Camera, lenses, sound, light
Sony FX3 and Sony A7 IV cameras, the full Zeiss Batis range (18, 25, 40, 85, 135 mm) and the Zeiss vintage range (20, 35, 50, 85, 135 mm), Sony 16-35 and 24-70 mm, ND, polarising and Pro-Mist filters, an Atomos Ninja monitor with Angelbird backup recording. Sound: Sennheiser G4 and Rode sets, Hollyland Lark wireless mics. Light: four Zhiyun Molus X100 RGB Pro, three De Sisti Magis 650 W, Godox and Ulanzi RGB LEDs.
We work with our own equipment on every shoot, so picture and sound are produced at the same standard whether we are shooting in an office or in a factory hall.
Colour and sound in our own studio

We work on four master workstations (at least 128 GB DDR5, a 12 GB graphics card, 2 TB SSD, 40 TB HDD) with 4K, 10 and 12 bit monitors that are calibrated and certified every year to the Rec. 709, sRGB, HDR10 and Dolby Vision HDR standards. Sound is mixed on Solid State Logic and Universal Audio equipment, on Genelec monitors, in a studio measured by a sound engineer.
Footage is recorded to dual memory cards and stored in three copies in two separate buildings for as long as the agreement requires. Raw footage is handed over on separate request.
Commercials, TV spots, brand films, employer branding videos and music videos in one place. Use the filter to browse the categories separately.
The price of a brand film depends on the shooting days, the number of locations, the people on screen, the crew and the number of versions. We send a quote based on the brief, with fixed deadlines, and work starts once we have an agreement. The boxes below show what the two most common formats include.
Oloren Hub
You watch the edit in Oloren Hub, right next to the post. Write down at which second you would change what, we upload the new version, and the conversation, versions and approval stay in one place until the video goes live.

Every shot is recorded to two memory cards at once, and on the day of the shoot it exists in three copies, two of them in separate buildings. Fire, water or any other damage cannot take the footage.
We work with our own equipment: Sony FX3 and A7 IV cameras, Zeiss lenses, broadcast grade sound and light. Editing and grading happen in our own studio on 10 and 12 bit monitors calibrated every year.
Tell us where you would use the film and who would appear in it, and we will get back to you with a quote. Work starts once we have an agreement.
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Our own project hub where clients follow and approve the work: post copy, photos and videos in one place, and approved posts go live on Facebook and Instagram from here.
Tell us how we can help and we will get back to you within one working day.
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